The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa's wide-ranging "After" bias control with two toggle positions creates tones that range from porcine fatness to desiccated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness.

The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (After) ranges are selected many wild and over-the-top sounds are possible.

In general, the usage of the Carcosa is dependent upon how you like to run your amp. If you run your amp dirty, then HALI mode will keep the lows tight and the HI-CUT will allow for increased high-frequency detail for use as a treble-booster. This makes the Carcosa excellent for use as a fuzzy lead boost. If you run your amp clean, then DEMHE mode will boost the low-mids and this mode pairs especially well with American twin combo amps (with the amp’s bright switch disengaged). DEMHE mode also sounds great with British amps on the edge of breakup; the Carcosa can thicken and drive the amp into saturation.

Wide ranges of fuzz voicings are possible with the Carcosa. When using lower counter-clockwise bias (AFTER) settings the Carcosa responds very well to volume knob changes and pick attack dynamics: Cleaning up in a controlled and pleasing manner like classic overdrive fuzzes. Once the bias (After) is set for higher clockwise ranges then the Carcosa gain and attack characteristics become less-responsive to volume changes and more aggressive fuzz tones are available - All the way up to strange sputtering synthy hornlike tones.

Features

• Both modern and vintage fuzz tones in one box
• Wide ranges of fuzz voicings
• DEMHE voicing for a bass and low-mid boost which works great for clean channel usage
• HALI voicing for a bass cut that works great for dirty channel usage
• After bias control for changing fuzz texture
• Works great in an FX chain
• True bypass